NOBA Nordic Baltic contemporary art platform

Janis Rozentāls: The Dance of Life

From folk life scenes to Symbolistic visions, in an exhibition of the most popular and versatile Latvian artist of the turn of the 19th and 20th centuries, Janis Rozentāls (1866–1916), the spirit of the era merges with his own “dance of life”. The first ever Janis Rozentāls’ exhibition in Estonia…
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Egypt of Glory: Art from the Nile Valley

Estonia’s first major exhibition of ancient Egyptian art features objects that are thousands of years old from one of the world’s most important ancient Egyptian collections: the Museo Egizio (Egyptian Museum) in Turin, Italy. Simultaneously with the exhibition at the Kumu Art Museum, the treasures of the Egyptian Museum will…
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Ado Vabbe. Wunderbar

Ado Vabbe’s (1892–1961) diverse oeuvre is presented through its various themes in the largest overview exhibition ever of his works. Vabbe is mainly known for the avant-garde works of his youth, which constantly transformed and developed. These were raised in the 1920s to the pinnacle of the forming Estonian art…
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State of Emergency. Flo Kasearu

The coronavirus pandemic, which took the world by storm in the spring of 2020, has caused a crisis in our current way of life all over the globe: in addition to extensive restrictions on people’s movement, almost all public buildings (such as schools, theatres and art museums) had to be…
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Ando Keskküla. Reality and Technodelics

From the earliest phases of Ando Keskküla’s (1950–2008) activity, two leading motifs can be observed, which seem to pursue him, thus forming the main poles of his art. The first is the impact of the artificial environment and new technologies on our sense of reality, which, in the context of …
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Edith Karlson, Mary Reid Kelley, Eva Mustonen. Do Come in, the Door is Open!

The title of the exhibition is a quote taken from the legendary Estonian TV series Õnne 13 (directly translated as “13 Happiness Street”): the phrase is how the shoemaker Johannes, a classically jovial and wise old man, used to greet any guest knocking on his door. This essentially friendly utterance expresses openness …
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Silvia Jõgever and Kadi Estland

The exhibition addresses topical women’s issues by bringing together the works of artists of two different generations. With the help of empathy and absurdity, women are viewed against the background of social blows and in the context of real and grim stories.Curator: Eda Tuulberg.
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Maire Männik: Estonian Legend in Paris

Maire Männik (1922–2003) was a sculptor who lived and worked in Paris for decades after World War II and studied with the famous Russian-French artist Ossip Zadkine. In her work, she combined motifs of nature with abstract elements. In 2004, her son donated most of her studio legacy to the …
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Gustav Klucis: Russian Avant-Garde Art in the 1920s–1930s

Exhibition of the work of Gustav Klucis (1895–1938), one of the best-known Russian avant-garde and constructivist artists. This will be the artist’s first personal exhibition in Estonia, covering his whole creative path, employed techniques and theoretical principles.
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Art Museum of Estonia 100. Open Collections: The Artist Takes the Floor

The curator sent invitations to participate to Estonian and international artists, who have helped celebrate the centennial of the Art Museum of Estonia by creating added value and a more diverse cultural context for the museum’s collection with their own works. The exhibition is meant to inspire a dialogue between…
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Sots Art and Fashion: Conceptual Clothes from Eastern Europe

Can the Soviet era provide inspiration for art and fashion? Could the Eastern Europe that emerged after the fall of the Iron Curtain have its own post-Soviet chic? The exhibition Sots Art and Fashion brings together two original art movements that emerged in the region and that have generated considerable …
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Tommy Cash and Rick Owens. The Pure and the Damned

The exhibition at the Kumu Art Museum in Tallinn displays both the individual works of Tommy Cash and Rick Owens, as well as their jointly executed artworks for the show. Although different in practice and background, Cash’s and Owens’s interests overlap considerably: Cash’s visuals feature a great deal of aestheticised …
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