Layering has become a recurring methodology throughout my practice. By combining images from different contexts, I investigate how photographs can be displaced, rewritten, and reinterpreted through proximity and accumulation. What begins as documentation gradually becomes abstraction, opening space for viewers to question the authority of images and the narratives they construct. Across photography, video, and installation, I use these processes to explore media saturation, collective memory, and the unstable relationship between representation and reality. Modern Conflict exists as a series of digital collages and has also evolved into an interactive audiovisual installation, reflecting an ongoing investigation into how moving images, technology, and participation further complicate the ways we consume and make sense of information.
