Seda näituseinfot pole tõlgitud Eesti keelde. Näitame selle asemel Inglise keelset näituseinfot.
Wessel has developed a unique expression using the ikat dyeing technique in combination with flat-loom weaving. The technique has roots dating back to the 600s in Indonesia, but it has spread to many parts of the world, also to Scandinavia. Before the dyeing process, parts of the yarn are wrapped tightly with a dye-resistant material to keep those parts from being penetrated by colour. The dyeing can be done in several stages and in different parts of the yarn in order to achieve gradual colour transitions. The method gives Wessel opportunities to create intensity and strength in her colours and patterns. She uses the glossy wool of the spælsau (a Northern European breed of short-tailed sheep), sometimes in combination with other fibres such as silk and nylon. The ikat technique and glossy yarn create strong effects of light in her tapestries.
Colour compositions have a central place in Wessel’s abstract motifs. She herself says that walking trips through forests and mountains and by the sea give her the colour impressions that she captures with her eyes and camera lens. These in turn give her ideas and impetus for new works. Several tapestries have titles alluding to experiences of nature, examples being ‘Bad Weather in Sight’, ‘Morning Sun’ (‘Morning Sun’) and ‘The Snow Melts’ (‘The Snow Melts’).