This exhibition began with Carl Wilhelmson’s painting Målarinnor (1902) in our collection, an allegory on the gravity, uncertainty and battle of being an artist, portraying Holmström together with her student friends Adelheid von Schmiterlöw and Hanna Borrie. The trio, who had Wilhelmson as their teacher at the Valand Academy in Gothenburg, called themselves “The Three Musketeers”. Holmström is the only one of the three who was to make a career as an artist. This exhibition seeks to highlight an exciting oeuvre, relating it to, and commenting on, the collection of the Thiel Gallery, where only nine out of a hundred artists represented are women.
In the Gallery, the first thirty years of Tora Vega Holmström’s practice are presented. Her style proceeds from pointillism and art nouveau, via modernist mosaics and billowing lines, towards a vibrant expressionism. The imagery in her works is often described as eternal and universal, but in this exhibition, the ground-breaking artist is positioned in her era, with paintings on the theme of women’s suffrage, working-class conditions and the post-traumatic stress of the surviving colonial soldiers from the First World War – Tora Vega Holmström blazed her own trail, in both life and art.
The exhibition is curated by the art historian Adam Korpskog, MA.
