“I live and work in Tel Aviv, I am in constant dialogue with the city, absorbing its atmosphere. I observe the city and try to understand the inner laws of its structure, which (among other signs) manifest themselves in the visual rhythm of lines. From my point of view, it can be compared to the lines drawn by a seismograph – unstable, unstructured, reflecting the change inherent in our existence, and foreshadowing profound changes, the meaning of which we do not yet understand. But colours, being dynamic in nature, do not change their character. They convey the essence of any object – a house, a street, a person or the city itself,” says Aron Kravits.
Aron Kravits has devoted a series of works to Tel Aviv’s architecture, Bauhaus, and is currently working on a new series, Immersed, in which people become part of the space – their inner processes are inseparable from the changes in their surroundings.
“In this case, the setting is not necessarily Tel Aviv, but it is still subject to the same laws of colour, line and object relations. In an attempt to understand them and their interrelationships, I am using the methods I have discovered to explore this theme,” says the artist.
About the author:
Aron Kravits was born in 1958 in Ukraine and has been living and working in Tel Aviv, Israel since 1995. In 1992 he worked as a designer in the regional TV studio “Tonis”. In 1993-1994 he participated in annual art exhibitions at the city level. In 1994 he was a participant in an exhibition at the Kharkiv Opera Theatre Gallery.
Among other activities, he has been involved in theatre scenery for theatres in Tel Aviv and Jerusalem, including the Israeli National Opera. He has done artwork for television and feature films.
His works are in private and gallery collections in Germany, Israel, Spain, USA, Canada and Russia.
He has had dozens of solo and group exhibitions in his home country and in Europe: Spain, Munich, Paris, etc.
