Glass is used in high-security buildings, and even the Pope drives around in a vehicle protected by bulletproof glass. The semantic field of glass plays an increasingly pervasive role: these days, we are all transparent, constantly looking at our own reflections on our screens, while having virtually no access to our own delicate data, which in many ways is used to control and even enslave us.
In the context of institutions and corporations we can also talk about glass as a symbol of democracy – a reference to open and equal dialogue between the people and those in power. Likewise, it refers to corporate totalitarianism and divergence of social strata. Glass Struggle is based on the semiosis of the viewer and the seen.
The exhibition is accompanied by the online publication www.struggle.glass, which is also seen as part of one of the sculptures (“A Satellite Deviated from the Orbit”, in collaboration with Maria Lee).
Texts: Maria Lee, Sten Eltermaa
Exhibition design: Arvi Anderson, Sten Eltermaa
Graphic design: Maria Muuk
Website: Maria Muuk, Patrick Zavadskis
Translation: Madis Kuuse (ENG), Olesja Semenkova (RUS)
Thanks: Maria Lee, Arvi Anderson, Krista Loorits, Lauri Eltermaa, Sten-Erik Toos, Tõnis Vassar, Urmo Mets, Madli Ehasalu, Roman-Sten Tõnissoo, Pire Sova & EKA gallery, b210 architects, Kauss Architecture, KUU architects, Kolm Koma Architects, Ilmamaa Publishing House
Special thanks: Karmo Migur, Maria Muuk, Kadi Meriluht, Mary Magdalene
Supporters: Cultural Endowment of Estonia, MEISTRI, Salibar, Klaasissepa, joogipood.ee, nanoPruul, ÕIE, 3DLaser
The exhibition is part of the satellite programme of the Tallinn Photomonth contemporary art biennial.