Mägi created his first canvases in Åland, having previously studied in St Petersburg. He also briefly studied at the Ateneum in Helsinki. His later travels took him to France, Norway, Germany and Italy and back to Estonia. Mägi was a cosmopolitan who painted what he saw, felt and learned on his travels. He used different forms of expression freely, always using different ways to paint different natural scenes. Mägi differs from many of his contemporaries through his bold use of colour. The idiosyncratic Mägi has, in fact, no comparison in the history of European modernism. Today we are ready to include talents from the periphery to such accounts of the past, thereby widening our understanding of the art of modern era.
Nature was Mägi’s primary inspiration. It was a source of strength and a tool for exploring the potential of painting, the human condition and the mystery of life beyond visible reality. Instead of creating a likeness of the real world, Mägi focused on how to paint and how to express things that could only be communicated in painting. In his fascinating portraits, Mägi’s primary objective was to create a compelling painting. Mägi’s paintings forces portraiture out of the genre’s dusty cabinets.
It has been a pleasure to curate an exhibition that, for the first time and to this extent outside Estonia, showcases the uniqueness of Konrad Mägi’s art. The artist’s ties to Finland have also been a powerful motivator for making Mägi accessible to Finnish audiences.
Espoo, 28 September 2021
Pilvi Kalhama, Exhibition Curator
