Likewise, the medium of analogue photography and analogue cinema, which Ieva Balode uses in this exhibition, embodies this same fear – the fear to lose and forget what once took place or was alive. It is the propensity to make the world immortal, the propensity to freeze time in a capsule for eternity, which, through the lens of the camera, leaves an instant’s impression on the light-sensitive surface of the film. Here light serves as a record on the surface of a film, which, by dispelling darkness in the body of the camera, captures what is in front of it through the glass of the lens, similar to the human eye.
The exhibition presents 16 mm film loops and spatial image projections. Their mechanical nature interacts with the architecture of the hall to create a slight sense of alarm, reminding us of the fragility and mortality of the material world. The exposition gives visitors the opportunity to become familiar with the photochemical film stock as a kinetic object which, together with several other analogue projectors, illuminate the museum’s gallery in a different light.
About the artist
Ieva Balode is an artist and analogue film activist who works with analogue film and image. She earned her BA and MA from the Department of Visual Communication at the Art Academy of Latvia. Her interest in analogue media resides in its relationship to nature, memory and human perception. The author’s works have been exhibited in art galleries Platform (Munich, 2020), Den Frie (Copenhagen, 2019), Villa Vassilieff (Paris, 2018), Latvian National Museum of Art (2018–2020), Latvian Museum of Photography (2018), LCCA Office Gallery (Riga, 2016), Daugavpils Mark Rothko Art Centre (2018), Бükü (Leipzig, 2016), 1st Riga International Biennial of Contemporary Art (2018), Riga Photomonth as well as international film festivals: Harkat 16mm film festival (India, 2021), 65th International Short Film Festival Oberhausen (Germany, 2019), KRAAK (Belgium, 2019), Luminous Void (Ireland, 2018–2019), MIEFF (Russia, 2018), Riga IFF (Latvia, 2017–2021), EKF Process (Latvia, 2017–2021), Kinoskop (Serbia, 2017–2019), TIFF Wavelength series (Canada, 2017), Zabroffka (Poland, 2013), Oslo Screen Festival (Norway, 2012) and others.
As a cinema activist Ieva Balode is the founder of Baltic Analog Lab – an artist collective providing a space and platform for the production, research and education of analogue cinema. Since 2017 she is also a director of the Riga-based experimental film festival Process.
