Haegue Yang: Continuous Reenactments

Yang is known for his laborious but at the same time free-form technique that draws from the craft traditions of different cultures, combining factory-made and natural materials. His way of expression crosses boundaries, creates immersive and sensual experiences and sparks new perspectives.

Haegue Yang builds a fascinating sculptural stage in the large arched halls of the Tennis Palace, which deals with the themes of repetition and re-enactment. There is also sound and activation based on the movement of the works, which can be followed twice a month.

The core of the exhibition is formed by two monumental groups of sculptures: Handles (Kahvat) (2019) and Warrior Believer Lover – Version Sonic (Soturi Uskova Rakastaja – Soiva versión) (2023). Both feature the rattling metal movements that Yang is known for. First seen at New York’s MoMa in 2019, Handles is a multi-sensory experience consisting of six sculptures, elements hung on the walls, and a soundscape. The ensemble transforms everyday objects into visually impressive movable works that can be considered hybrids of human and mechanical beings . Warrior Believer Lover – Version Sonic  is a reinterpretation of the ambitious sculptural ensemble seen in 2011, consisting of 33 light sculptures. The musical version that can be seen now presents 21 works covered with walkways and decorated with wigs, plastic plants, solar panels, LED lights and various natural materials such as pine cones. The works Handles and Warrior Believer Lover – Version Sonic are occasionally accompanied by the music of Isang Yun  (1917–1995) and Igor Stravinsky (1882–1971), creating immersive sculptural symphonies.

The exhibition has been realized in cooperation with the SMAK Stedelijk Museum voor Actuele Kunst in Ghent, Belgium. The exhibition is supported by the Finnish Museum Agency.