When shooting with an analog camera, you have to trust the process. “In analog photography, you don’t see the result immediately, you have to wait,” explains Jörn Frenzel. “When you have 36 frames (or 12 frames for 120 film), those individual images are precious. As an architect, I have learned to cope with many external constraints while creating and designing. I have adopted them. In the same way, analog photography imposes limitations, which I welcome when I shoot.”
According to Frenzel, photography gives him access to a very personal state of mind, reminiscent of travel: “I like to walk into situations without a final plan and open up to tasks, this applies to photography as well as life and my work as an architect and designer.”
