For Buskov, the exhibition’s title hints at both accumulated experiences and windows of uninterrupted worktime in her artistic practice; and towards layers of knowledge covering familiar and strange landscapes.
Several of the works in the exhibition are derived from the digital noise which occurs when Buskov deliberately uses digital design programs “incorrectly”. As when light hits a surface and scratches become visible, the computer program’s distorted patterns become the starting point for artworks executed with watercolor, casein and tempera on paper, acrylic and silicate paint on walls, and a monumental stained glass painting.
