The title of the work, The Preserving Machine, is borrowed from a 1953 short story by Philip K. Dick in which people attempt to preserve classical music during a cultural collapse by encoding musical notes into animals. However, mutations in the animals render the musical works unrecognisable – nature and culture compete for existence.
Dora Budor (b. 1984) is a New York-based Croatian artist. Budor uses the exhibition itself as her medium, amplifying, dislodging or re-circuiting the characteristics of the context and thereby constructing an interdependency between the work and its host. Employing the phenomenological apparatus of the cinema, she produces images that act as conduits of memory and meaning.
