The exhibition consists of three layers. The expressive coded paintings based on personal experiences by Triinu Jürves, objects put together with the peasant tenderness of Kaarel Kütas, and an installation created as a joint project, which visualizes a transformation that
is difficult to notice in real time.
The authors are almost opposites in their art practices – a systemic conceptual thinker steeped in culture and an impulsive poetic savage – but it turns out that they are still moving in the same direction, just in different layers.
The end result is both personal and general, direct and allegorical at once.
Even if it all remains just a refreshing game in the safe laboratory of the art world, perhaps the exhibition can also point to the wider possibility hidden in the coexistence of different ways of thinking.
