Gannis’s work is a digital-age version of painter Hieronymus Bosch’s over 500-year-old masterpiece, the triptych “The Garden of Earthly Delights”. Whereas in Bosch’s time, people’s lives were given meaning by God, to whom they were accountable for their actions, in modern times this dimension has been replaced by a virtual one. While one artist seeks contact with a divine system on a certain level, another is connecting with an equally total system that reaches into the phones of us all. Bosch’s work contains conflict, humour, darkness and absurdity, all of which go hand in hand with being human, and Gannis’s compelling work, a critique of the times, shows that not much has changed.
