The exhibition gives an overview of Strozzi’s versatile oeuvre throughout his career, focusing attention on this highly creative and skilled painter who was open to new artistic impulses and constantly experimented with different techniques and materials.
The recent conservation of a Bernardo Strozzi painting The Concert (ca 1635) in the collection of the Art Museum of Estonia brought the topic of Strozzi’s painting technique and studio practice under closer scrutiny. The topic of Bernardo Strozzi’s studio practice, as well as that of his pupils and followers will therefore receive special attention in the exhibition and will be treated thoroughly in the accompanying catalogue. The book provides thematically new insights into Strozzi’s art; it includes essays and catalogue entries on each exhibited work that reflect the most recent research on Bernardo Strozzi, carried out by Anna Orlando.
As the title of the exhibition ‒ Bernardo Strozzi: Beyond Caravaggio – indicates, this exhibition focuses attention on this outstanding painter, who was active in the age of Caravaggio and rode the wave of Caravaggio popularity, but managed to leave his own highly individual artistic signature.
In the framework of the exhibition, an international seminar that looks into the early modern artist’s studio practices in Europe will be held in Tallinn on 9 May 2025.
Curators: Greta Koppel and Anna Orlando
Exhibition design: Kaarel Eelma
Graphic design: Tuuli Aule
