Applied to the chaos-driven order of thought, the audio, visual and structural elements of space create a new self-representation that establishes a multifaceted aesthetic system, a grammar, a social code—or its negation. The flooding affect creates memories that manage to preserve time and place just for a little moment, briefly merging the flow into an experience that will soon transcend all opposites, clear meanings and word-intertwining structures. However, the contingency of meaning and existence, the uncertainty of all things again loses touch with linear time, with the nostalgia of the past and the anticipation of the future, breaking away and falling into the intangible, into the present, bouncing off the cold metal. Noise repenetrates into the space that persistently disobeys any centre, disrupting it with its involvement, embracing objects marked with traces of something that has not yet happened, the realness of which can only be known from the vibratory sensation transmitted by hand. Ignas Krunglevičius (b. 1979) is a composer and visual artist with a BA and an MA in Composition Studies from the Norwegian Academy of Music. While most of his work consists of installations, video art and sculptures, the artist also works as a composer, creates musical performances and actively participates in electronic/contemporary music festivals, as well as film festivals.
