∞D [a multitude of dimensions], 2025

paper, thread, aluminium

∞D [a multitude of dimensions] explores the transformation of paper into sculptural form. Composed of translucent layers, the work challenges traditional perceptions of materiality, shifting paper from surface to space, from a functional material to a fragile structure. Through its construction, paper becomes something else: no longer a base for images or text, but a responsive material that resists and constantly changes. Light, void, and fragility are not only visible but embedded within the form. The whiteness of the paper acts as a conceptual tool, removing cultural markers and inviting new interpretation. It becomes a metaphor for learning and transformation, questioning fixed identities and social constructs. Suspended in the modernist stairwell of the National Gallery of Art in Vilnius, this 9-meter-high structure interrupts the logic of architecture with softness and a sense of physical presence. Its spiraling line evokes the layered history of the space, subtly disrupting the ideology of the white wall and revealing vulnerability, impermanence, and memory. Poetic: The gaze glides across surfaces like pages inscribed with thought, telling you what to think. Unconsciously, you begin to repeat familiar images. You believe you recognize them, but in truth, you’re fixating on the names by which they describe themselves and their parts. In the forms shaped by paper, construction and daylight, you recognise architecture, clothing, life itself… The mystery lies in how your gaze travels from one plane to the next, as they unfold in quiet succession. The invisible landscape has been shaped by something once seen.